Vitalii Isaev

Storyboard: The Last Pilot

The same woman from the reference photo, in a stylish luxury apartment (penthouse feel — floor-to-ceiling windows, soft designer interior...

FOUND-FOOTAGE amateur phone video, vertical 9:16. The ENTIRE clip looks like a real bystander filmed this on a phone: shaky handheld moti...

оживи картинку, сохранив надписи

оживи фото обложки для трейлера, мальчик боится тени

Trailer: THE LAST FIRE — Episode 3: The Warden's Cold Witness

Photorealistic deep-sea documentary footage, vertical 9:16, ~15 seconds, of a violent encounter between TWO bizarre bioluminescent abyssa...

Storyboard: THE LAST FIRE — Episode 3: The Warden's Cold Witness

CREATION BRIEF A ~15-second vertical (9:16) authentic solo-travel vlog reel featuring ONE country only: PERU. A young blonde American wom...

CREATION BRIEF A 15-second vertical (9:16) cinematic travel-vlog reel following ONE young Japanese woman in traditional-inflected Japanes...

1. REFERENCE INTENT PRESERVE from the source: the polished feature-grade 3D-animation medium (Pixar/Illumination fidelity), the caricatur...

CREATION BRIEF A ~15-second vertical (9:16) travel-vlog montage following one young blonde American woman exploring PERU as a joyful solo...

Photorealistic deep-sea documentary footage, vertical 9:16, ~15 seconds, of a violent encounter between TWO entirely new bizarre biolumin...

FOUND-FOOTAGE amateur phone video, vertical 9:16. The ENTIRE clip looks like a real bystander accidentally filmed this on a smartphone: s...

[0.0-2.0s] Scene 12: Catalyst Shot Size: EWS (Extreme Wide Shot) Camera: Locked-off low wide, then a fast dolly-in tracking the runner as...

[0.0-3.0s] Scene 17: Dread Reveal Shot Size: EWS (Extreme Wide Shot) Camera: Slow ominous crane-up along the towering ice wall Action: DI...

[0.0-3.0s] Scene 16: Stillness Shot Size: Wide Camera: Slow gentle dolly-in from the hearth toward the seated figure Action: SMASH CUT fr...

[0.0-2.0s] Scene 4: Despair Shot Size: Wide Camera: Slow push-in through blowing snow toward the kneeling figure. Action: Blizzard wind H...

[0.0-2.0s] Scene 9: Reveal Shot Size: Extreme Wide Shot Camera: Slow majestic dolly-in straight down the symmetrical corridor of portrait...

[0.0-4.0s] Scene 18: Escalation — Establishing Dread Shot Size: EWS (Extreme Wide Shot) Camera: Slow majestic crane-up rising along the f...

[0.0-2.5s] Scene 14: Foreboding Shot Size: Wide Camera: Slow ominous dolly-in through the doorway, low fog-level angle Action: SMASH CUT ...

[0.0-2.0s] Scene 1: Catalyst Shot Size: Wide Camera: Locked static frame with a micro push-in on the ice wall. Action: The immense ice wa...

[0.0-2.0s] Scene 20: Climax — The Goal at Last Shot Size: Wide Camera: Fast tracking shot following the ball into the net; kinetic energy...

[0.0-2.0s] Scene 15: Hubris Shot Size: Medium Camera: Fast dolly-in on the throne, then a whip toward the court Action: SMASH CUT to King...

[0.0-3.0s] Scene 0: Despair Shot Size: ECU Camera: Slow dolly-in on the frozen whistle, then a subtle rack focus pulling from the ice cry...

[0.0-1.5s] Scene 8: Catalyst Shot Size: Medium Shot Camera: Whip pan right into a fast tracking shot as he flies into frame; slight speed...

[0.0-3.5s] Scene 25: Reveal Shot Size: Medium over-the-shoulder Camera: Slow crane-up and pull-back from behind the Throne of Cards, reve...

[0.0-4.0s] Scene 23: Triumph — The Held Pause Shot Size: Close-Up Camera: Bullet-time 180-arc slow-motion orbit around Lord Mession's cal...

[0.0-2.5s] Scene 10: Reveal Shot Size: Extreme Wide Shot Camera: Slow sweeping establishing dolly drifting sideways across the candle-lit...

[0.0-3.0s] Scene 24: Catalyst Shot Size: ECU (Extreme Close-Up) Camera: Slow dolly in on the scoreboard glass, then a sudden CRACK propag...