The next key frame of the same shot as image 1, in exactly the same drawing style, with exactly the same camera, framing, golden morning light and background, and the man in the same place. A moment later he has turned his face to look straight at the viewer, one eye twitching nervously, a weary, resigned half smile in his long copper beard; the grey pigeon is flapping away off his head toward the top edge of the frame; and with both hands he has quietly lifted the white instant camera back up near his eye, ready to shoot again. He has exactly two arms and two hands. No text, no letters, no logos.
