Image - 2026-11-02 21:56

A traditional hand-drawn FILM STORYBOARD SHEET for scene 5: one page divided into a clean 3x3 grid of NINE separate rectangular panels, three rows of three, each panel a 9:16 rectangle with a thin ruled black border and a small hand-written panel number in its top-left corner from 1 to 9. Thin white gutters between panels. Off-white paper background with faint tooth. MEDIUM, STRICT: rough graphite pencil drawing only. Loose confident director's sketch, visible pencil strokes, hatching and smudged shading for shadow, some construction lines left in. Monochrome grey graphite, NO colour anywhere, NO paint, NO digital rendering, NO photorealism. It must look drawn by hand on paper in a few minutes per panel. No named characters — stage the action with anonymous figures. Divide the following 6-second scene into NINE consecutive story beats yourself, in strict chronological order, and draw one panel per beat. Vary the shot size between panels — do not draw nine versions of the same framing. THE SCENE: LANGUAGE: All dialogue is spoken aloud in Russian, word for word as written, natural for a native Russian speaker; every spoken word is Russian. ⭐ BINDING INSTRUCTIONS — read these first and obey them in every shot SPEECH (strict): the ONLY spoken lines, aloud in Russian, word for word, in this order, each in its speaker's own voice; heard, never shown as text. 1. ЮМИ (in frame, lip-sync): "Пальцы в замок. Большие держат коврик снизу." 2. ЮМИ (in frame, lip-sync): "Указательные придерживают начинку." END BINDING INSTRUCTIONS NON-NEGOTIABLE SCENE CONTRACT: - The setting and rendering register stay exactly as established: Pixar-like 3D. - Acting in this shot: ЮМИ, КЕНДЖИ. DIALOGUE (Yumi only, clear warm mid-alto voice, calm and precise; heard aloud, clearly audible): 0:00.5 @ЮМИ, looking at Kenji on her left: "Пальцы в замок. Большие держат коврик снизу." 0:02.5 @ЮМИ, still looking at Kenji: "Указательные придерживают начинку." No other speech. Kenji's mouth stays closed. CAST: @ЮМИ (acts): Pixar-like 3D adult woman, slim, deep-indigo fitted chef jacket, tight black bandana over straight black hair, sharp dark eyes. Holds the makisu with both hands. @КЕНДЖИ (passive cast): Pixar-like 3D adult man, lanky, loose white cook jacket, tall white toque tilted sideways, huge round brown eyes. Stands at Yumi's left, leaning in over the counter, hands resting on the counter edge. He stays in that spot and does not move. Everyone on screen is an adult. OPENING (0:00, the reference state): Bright warm sushi-bar kitchen lit by overhead pendant lamps and a lamp over the counter. Light falls from one side. A pale wooden counter holds exactly one bamboo makisu mat. On the mat lies exactly one nori sheet topped with an even layer of rice and exactly one orange salmon strip across the near third. Yumi stands behind the mat and grips its near edge with both hands. Her thumbs are under the mat and her index fingers rest on the salmon. Her head is turned to Kenji. Kenji leans in on her left. SHOT (single medium shot, 0-6 s, eye level, steady gentle push-in toward the mat; this is the only camera move): 0-1s: Yumi holds the locked grip and speaks the first line to Kenji. 1-3s: The grip and her gaze at Kenji stay the same. She speaks the second line. 3-4s: Her eyes drop to the mat. Her thumbs lift the near edge of the makisu. 4-6s: In one continuous forward roll, the mat curls the nori over the salmon. Her index fingers hold the filling in place as the nori edge meets the far rice strip and seals. The roll is still moving forward at 6s. The clip cuts on this motion. Kenji stays leaning in on her left throughout, eyes on the mat. Exactly one makisu, one nori sheet and one salmon strip are in frame the whole shot. LOOK: Pixar-like 3D, textured bamboo, rice grains and fabric weave, warm lamp light, readable bright frame. Real-time speed. AUDIO: Yumi's voice, soft bamboo creak and click of the mat, faint rice press, quiet kitchen hum. CONTRACT: Starts on the locked grip with Yumi looking at Kenji. Ends mid-roll, makisu in both of Yumi's hands, Kenji at her left. Checksum: 2 people, 1 makisu, 1 nori, 1 salmon strip, 2 lines. Draw camera arrows and simple motion lines in pencil where movement matters, and keep every panel's staging consistent with the one before it — this sheet is a shooting plan, so a person standing screen-left in one panel stays screen-left in the next unless the action moves them. NO text or captions anywhere except the small panel numbers 1 to 9. No title block, no handwriting in the margins, no speech bubbles, no subtitles, no watermark, no logo.