Image - 2026-11-02 18:30

Art style: 3D Cartoon. Летняя городская улица ОТ 1 ЛИЦА ДЕВУШКИ САМУ ЕЁ НЕ ВИДНО. Видны тротуар, солнечные фасады и впереди небольшое уличное кафе с несколькими столиками. За первым столиком который стоит с боку рядом с окном кафе. сидят двое мужчин которые о чём то разговаривают и один прерывает разговор и они почти одновременно поворачивают головы глядя на девушку. столики находятся с правой стороны как и кафе и столиков 2. Первый где сидят двое мужчин и ещё один пустой возле 2 окна пустой. ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━ FINAL STYLE ENFORCEMENT (this is the authoritative rendering directive — it overrides any style wording elsewhere in the prompt): Render this image in the following art style: Pixar-style 3D computer animation (Pixar / Disney feature-film look) — fully volumetric 3D rendering with rounded dimensional forms, soft subsurface-scattering skin, physically based materials, soft global illumination, rich saturated colours and appealing stylised character proportions. The WHOLE frame is 3D animation — never flat 2D illustration, never photoreal live action. Every surface, skin, fabric, material, and environmental element must be rendered in this idiom. Character identity reference (face, age, build and clothing only): - Мужчина в кафе: at a summer café table. A man in his early thirties, medium athletic build, warm olive skin, oval face with a defined jaw and short dark-brown stubble. Dark brown hair swept back in a loose, slightly tousled style, warm hazel eyes turned sideways over his shoulder, eyebrows lifted in mild distracted curiosity, lips parted mid-sentence. He wears a short-sleeved pale-blue linen shirt with the top button open, slim beige chino trousers, a thin leather watch, and tan suede loafers with no socks. One hand rests on a small round café table beside a glass of iced coffee, his body half-turned as if interrupted. Behind him: wooden chairs, a striped awning, leafy potted plants and soft warm daylight. The SCENE description determines the cast, number of people, actions, setting and framing. Include every character it calls for together in this scene; do not turn it into a solo character portrait.