The next key frame of the same shot as image 1, in exactly the same drawing style, with exactly the same camera, framing, street, lamp post, railings, light and colours, nothing in the background changes. Image 2 is the man's exact face and image 3 is the woman's exact look. A moment later: the tall man still leans against the lamp post on the right in the same place, ankles crossed, one hand in his coat pocket, but his other arm has come down to his side, and his hand now rests on the curved handle of the closed black umbrella, which stands upright on its tip on the pavement beside him. The small bright red flower is now tucked in the buttonhole of his coat lapel. The woman has stepped over and now stands close to him, on his left, in three-quarter view with her whole face clearly visible, her fingertips of one hand just leaving the flower on his lapel, her other arm relaxed at her side. She looks up at him with one eyebrow raised and a delighted, challenging smile, lips closed. He has turned his head down to look at her, with a small knowing half smile, lips closed. Each has exactly two arms and two hands. The umbrella does not touch her. No text anywhere.
