Image - 2026-10-24 20:54

A film director's storyboard sheet: six numbered panels in a 3x2 grid, graphite pencil sketches on white paper with grey hatching and only small touches of colour (Kira's pink cape and mask, the green balloon sword, the light-blue star pillow, the ochre TV wall). Each panel 16:9 with its number and time in the top-left corner: 1 0.0s, 2 1.6s, 3 3.2s, 4 4.6s, 5 6.4s, 6 8.3s. Movement arrows are bold black arrows drawn ON THE FLOOR showing the exact direction of travel. Room: exactly the living room of @image1 and @image2: the mustard L-shaped sofa of @image3 (long three-seat section, chaise at the end-window end, smooth back facing the kitchen), round white marble coffee table, green velvet armchair beside the hall doorway, ochre TV wall with TV, walnut console, rainbow easel and fiddle-leaf fig as in @image6, hall doorway with oak stairs as in @image7. The same mess is visible in every panel where that floor area is in view: THREE grey-beige floor cushions on the striped rug (cushion A large, on the rug between the coffee table and the TV console near the easel — the one Kira jumps on; cushions B and C near the sofa front), two board-game boxes and children's drawings with crayons scattered on the rug, the grey fringed throw hanging over the sofa's hall-end arm down to the floor, two rattan dining chairs pulled out toward the rug at the dining side of the sofa. Kira: 7-year-old girl in the costume of @image4 — pink cape hanging down her back, black T-shirt with a pink lightning bolt, light-blue denim skirt, pink mask, green balloon sword in her RIGHT hand. Yan: 13-year-old boy like @image5 — glasses, navy hoodie, jeans — SITTING upright on the hall-end seat of the long sofa section next to the hall-end arm, the light-blue star pillow on the seat beside him, open book on his lap, in every panel where he appears. PANEL 1: camera low near the floor on the rug at the chaise side, looking toward the hall doorway. Yan seated reading on the sofa at frame left. Cushion A lies large in the foreground. Kira has just burst OUT of the hall doorway and runs TOWARD the camera, facing the viewer, cape streaming behind her, sword raised; the arrow starts at the doorway and points toward the viewer and cushion A. PANEL 2: same camera. Kira in mid-air above cushion A in the foreground, facing the viewer, sword thrust up, cape flaring; the arrow arcs down onto cushion A. Yan still seated reading at frame left. PANEL 3: low angle single of Kira standing on cushion A, camera at the sofa front near Yan's knees (Yan out of frame); behind her the ochre TV wall with TV, console, easel, fig. She faces the camera three-quarter and jabs her sword toward the LOWER LEFT CORNER of the frame, toward the viewer's side where Yan sits; a small arrow along the sword points to the lower left corner. Cushion B and drawings on the rug at her feet. PANEL 4: same framing; Kira in a hero pose on cushion A, sword overhead, left fist on hip, chin up. PANEL 5: camera in front of the sofa on the TV side, facing the sofa: Yan seated facing the viewer reading, star pillow beside him, the throw over the hall-end arm, kitchen island and fridge beyond the sofa back; Kira leaning over the sofa back right behind his shoulder, tapping the top edge of his book with her sword; cushions B and C on the rug at the bottom edge. PANEL 6: same framing; Yan turns a page with a flat face; Kira behind the sofa back, shoulders dropped, sword lowered. No speech bubbles, no extra text.