Image - 2026-10-24 15:09

One cinematic production still, 16:9, polished stylized 3D feature animation, dark ocean midwater. Exactly two child avatars shown in full from transparent helmet top to the complete fin tips, side by side at the SAME distance from camera, hovering upright with similarly extended legs. Girl Kira on screen LEFT, boy Yan on screen RIGHT. No other humans or physical robot. REFERENCE ROLES: images1 and2 are the two established avatar identities; the three views in image2 are ONE boy. Images3 and4 show the underwater equipment and distinct light accents for Kira and Yan. Image5 shows both together and a clear relative height difference. Image6 gives the original dark lighting and jellyfish-populated atmosphere. Image7 is the user-selected ocean water texture. Image8 is MBARI's real Stygiomedusa anatomy reference ONLY: transfer the bell and four broad flat oral arms into the animated style, not photographic exposure. Use current avatar faces. SCALE IS CRUCIAL: Kira body height127cm, Yan157cm, ratio0.81. Both at one camera depth, heels level, matching upright posture. Kira's whole body must be clearly about one fifth shorter. Yan occupies about62percent of the image height; Kira about50percent. The same-sized helmet equipment does not erase their body-height difference. Kira's helmet top is visibly lower, near Yan's upper shoulder level. Keep both whole bodies inside frame with water below their fins. Camera35mm, about5m in front of them, level, slight three-quarter angle from their front-right, no perspective trick to make either character taller. KIRA: correct two buns and purple/turquoise braids, freckles, orange suit with deep purple panels. YAN: black rectangular glasses, chestnut hair, dark orange/charcoal suit. Equipment follows the original screenshots: white side fixtures on both clear helmets and thin bright white neck rings, small PURPLE/MAGENTA emissive accents on Kira's collar/chest/belt/knees/fins, CYAN equivalents on Yan. Left-wrist round Kira bracelet and rectangular Yan bracelet. Empty uncovered hands. Rounded closed fin boots with illuminated short stripes; no bare feet. LIGHT: low-key, deep navy-to-black water, substantially dark fabric and shadow sides, bright small equipment lights. Just enough local face illumination for expressive eyes to remain readable. Preserve black levels and strong local contrast. No broad soft frontal fill, milky veil, uniform bright orange fabric, white-out blooms or permanent fog. Small thin light cones reveal sparse marine snow at near/middle/far depths. Water texture inspired by image7, with less particle clutter around faces. No floor, water surface, sunlight or stars. JELLYFISH: restore a visible surrounding world with FOUR complete dark-burgundy jellyfish at separated distances, outside the children's silhouettes: one frame left, one frame right, two smaller further behind. They are not a dense swarm and none touches or attacks the children. Each has a rounded bell and FOUR broad, flat, soft ribbon-like ORAL ARMS as in image8, with long arms loosely folded and curled in natural draping shapes so their complete silhouette fits the frame. No thin tentacle fringe, suckers, round snake-like arms or detached close-up tentacle. The nearer animal is behind and to the side of the pair, not in front of a face. Their burgundy colour is revealed by reflected equipment light; they do not glow red from within. Keep the distant animals dimmer with water attenuation. Mood: wonder and quiet curiosity, both children look slightly to camera right into the living water, mouths gently closed. Clean picture, no typography, labels, ruler, graphs, captions, watermarks or collage. This is one coherent scene, not a reference sheet.