Art style: 3D Pixar. Danil standing in the centre of frame; Anna standing in the centre of frame. Danil is standing on terrace in the centre of frame in the midground. Torso facing camera. Head in three-quarter turn to screen-right. Eyes on Vasily. Around Anna. Happy and proud. Danil wears linen shirt. Partially behind none. Anna is standing on terrace in the centre of frame in the midground. Torso facing camera. Head in three-quarter turn to screen-left. Eyes on parents. Holding Danil's hand. Radiant. Anna wears white dress. Partially behind none. Wide shot at eye level, 16:9. Horizon centered. Group dynamic showing all family members. Foreground: decorated dining table. Midground: all six characters interacting. Background: green garden and house facade. Key light overhead_diffused, dappled_sunlight. Soft. Focus: the whole group. Dominant palette: leaf green, warm terracotta, soft white. SPATIAL LOCK: standing in a tight circle. GAZE LOCK: Danil head in three-quarter turn to screen-right eyes on Vasily; Anna head in three-quarter turn to screen-left eyes on parents. This is a single frozen instant (mid action) — no motion blur, no action chained. ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━ FINAL STYLE ENFORCEMENT (this is the authoritative rendering directive — it overrides any style wording elsewhere in the prompt): Render this image in the following art style: Pixar-style 3D computer animation (Pixar / Disney feature-film look) — fully volumetric 3D rendering with rounded dimensional forms, soft subsurface-scattering skin, physically based materials, soft global illumination, warm cinematic key light, gentle depth of field, vibrant family-friendly colours. CRITICAL: EVERY element — characters, foliage, trees, animals, water, sky, props and the entire environment — must be rendered as polished 3D CGI with real depth and form. This is NOT flat 2D illustration, NOT a watercolour or storybook painting, NOT cel-shaded anime. Every surface, skin, fabric, material, and environmental element must be rendered in this idiom.
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